vostek Confirmed user Posts: 53 Joined: Sat 6:48 pm I imagine any VJ who has even causally DJ'd at any point will have a pretty easy time getting it locked. Luckily FL Studio and most other DAWs can go down to the millisecond, but it does take a little practice to hone in on the exact speed where it doesn't start to drift for at least 16 measures. CDJs display the tempo, but theres a slight margin of error, so if it says 132 bpm, it may actually be 132.5 bpm. On the other hand, if the DJ uses CDJs or vinyl, the process is a little more hairy. I could just look at the tempo they are at, down to the millisecond, and set that in FL studio and not worry about it for the entire DJ's set or until he made a move to change the bpm. For example I integrated the A-B/transitions into my performance for the first time as the feature really shines with a tempo-synced automation sine-wave oscillating between the A and B signal every 1, 2, or 4 beats- a very powerful effect for dance music, and all the different transition variations offers a lot of aesthetic options.Īs a note for others who want to do live tempo-sync automation waves to a DJ, I discovered it was much easier when the DJ used software-based mixing such as NI Traktor. I found that some of the simplest automation created some of the best results. This is definitely the next level of live visual performance! No crash for the duration of the 8-hour event. Had my first field-test of 1.5 RC1 this weekend using FL Studio/Arkaos Connect to send MIDI automation to GVJ.